Acte 28: Muntadas/Franch, dispositius d'exposición gira en torno a las múltiples colaboraciones que Antoni Muntadas y Enric Franch han llevado a cabo a lo largo de casi treinta años. La muestra parte de una reflexión sobre la forma en la que se expone el arte contemporáneo y nos permite aproximarnos a la relación entre el artista y el diseñador de una exposición, y entre las obras y el espacio expositivo. En esta línea, se presentan los trabajos que estos autores han realizado conjuntamente desde 1985.

Los refranes reflejan la sabiduría popular y en cierta forma representan una cultura y un modo de comprender y manifestar una realidad vivida.

Addressing the unique social, political, and economic context for universities and academia in Vancouver, British Columbia, this publication is part of Muntada's residency through the Audain Visual Artist in Residence Program at the School for Contemporary Arts at Simon Fraser University and is realized in partnership with Line magazine and the Audain Gallery.

Con la construcción del miedo, primera individual del artista catalán Antoni Muntadas en Venezuela, periférico caracas | arte contemporáneo da cumplimiento a uno de sus objetivos programáticos, orientado a propiciar una relación más estrecha y reflexiva con el arte internacional, específicamente con aquellas propuestas que se plantean miradas oblicuas o frontales a los acontecimientos del mundo actual.

ENG: The book was published to coincide with the 55th Venice Biennale. The project dislayed by photographer Antoni Muntadas (Barcelona, 1942), entitled “Protocolli Veneziani Venice I”. As the author points out the way he identifies as "protocol” -quoting Angela Vettese- " modi di fare pratici, sistemi per riparare, combinazioni tecniche ritualizzate" which result in traces, tracks, signals, a particular aesthetic, architecture, the photographer meditate through these jacks.

ENG: Cildo Meireles and Antoni Muntadas divided the space of the Kunsthalle Marcel Duchamp vertically with a transparent partition. On one side they built a pile of sugar, on the other a pile of salt. The effect is like two mountains touching each other but made of two different materials—both of them, obviously, white. It’s a wonderful collaboration referencing friendship, conversation, landscape, humor, walking, climbing, and much else besides. CAS: Cildo Meireles y Antoni Muntadas dividen el espacio de la Kunsthalle Marcel Duchamp verticalmente con un tabique transparente.

Jeu de Paume organizes a major exhibition by the internationally recognized artist Antoni Muntadas (Barcelona, 1942), one of the early practitioners of conceptual and media art.

ENG: This catalog offers an essential cartography of Antoni Muntadas work since 1971, contributing to the disposal of his work by taking positions and addressing the gaps from the discourses and power structures that permeate contemporary reality. Organized into nine thematic blocks, parallel to the exhibition that the Reina Sofia Museum dedicated to the 40 years of projects and ideas, undertakes the complex task of not presenting a retrospective but a journey through the different research fields that nurtures his works.

Situación 2011 es una reflexión audiovisual sobre los museos de arte contemporáneo y sus ampliaciones, un hecho consustancial a estos centros en los últimos años. Una reflexión que inició en 1988 con otra instalación que abundaba en la antigua función como hospital de edificio que hoy alberga la colección estable del Reina Sofía. En 2011, Antonio Muntadas realizó una intervención producida por y para el I Intervention Museo Nacional Centro de Arte Reina Sofía como  parte de la exposición Entre/Between, Madrid, 2011-2012.

ENG:The interviews that are included in this book were conducted between March 2009 and October 2010, mostly in Cambridge, MA –either at Harvard or at the MIT campus –and are an integral part of the project About Academia.The contents of this volume are not meant to be taken as an independent publication, but rather as a complimentary tool in order to provide a larger context to the viewer. Within this volume, the incomplete and fragmented nature of the edited text on the screen fins its necessary complement: video projection and this booklet form a unit within the gallery space.