Este libro recoge cuatro ensayos sobre la intervención de Muntadas en el Pabellón Mies van der Rohe de Barcelona. Muntadas se basa en la historia fantasmal del Pabellón, desmantelado en 1930 y recuperado en 1986, a partir de dos conceptos: el olor y la textura propias del papel antiguo y la tinta de los archivos.

Edición de 2008 de la "banda sonora" de la exposición de 1996 en Arts Santa Mònica

En el caso del actual Museo Nacional Centro de Arte Reina Sofía se subraya la relación entre el anterior edificio de Sabatini y la nueva ampliación realizada por Jean Nouvel. Es un trabajo sobre el diálogo posible entre ambos edificios, al tiempo que muestra cómo afecta la ampliación a la relación entre la institución museística y su arquitectura. Dos edificios de diferentes épocas se unen -como herida, prótesis, fusión- y dejan entrever una serie de implicaciones de antes y después de la intervención arquitectónica.

ENG: The exposition (Instituto Cervantes, Paris) was built around the observation of a linguistic peculiarity of the use of French. It's about the exposition of all the different cases in the use of the word 'small' and the word 'big' in everyday written and spoken French. According Muntadas, the French granted to these two very specific values words, draw a moral scale in everyday life. Thus, the "small" would side with the intimate, of right, of the private, and the "big" would side with the public and history.

ENG: This work of Muntadas, Espacios, Lugares, Situaciones took part in Fundación Marcelino Botín, Santader.The title of this exhibition presents us the latest reflection of Antoni Muntadas on one of its problems: space and created situations in everyday life. It consists of 18 photographic works and video projections, including three new specific productions extending Santander's exploration Muntadas standardized spaces of everyday life productions.

ENG: ...MIEDO? is a proposal that continues and, in a way, it synthesizes different jobs through which muntades has explored, for almost twenty years ago, some of the mechanisms, strategies and springs that the use of Language made ​​in popular culture and on the media.

CAS: ... MIEDO? es una propuesta que continúa y, en cierto modo, sintetiza, diferentes trabajos a través de los cuales muntades ha explorado, desde hace casi veinte años, algunos de los mecanismos, las estratègias y los resortes que los usos lingüísticos adoptan en la cultura popular y en los media.

ENG: Muntadas. La construcción del miedo y la pérdida de lo público' is the catalogue of the exhibition which took place at Centro José Guerrero in Granada, 2008, and which showed a selection of Muntada’s works from the 70s and 80s until nowadays. All the works were related with TV, with a focus on a critical analysis of fear to the other as a driving force of a geopolitics of the threat; the iconography as well as the message of the mass media facing the lost of spaces of encounters and disencounters, dialogue and confrontation, of the public space. CAS: Muntadas.

ENG: Each letter of this critical anthology about the artist Antoni Muntadas, are part of the backbone of a more complex project by several authors in the questions of the literary genre itself, such as that relating to art.These volumes represent a place of review and testimony, which exceeds the continent and follows exhibitions, to become a book with own weight on reason and criticism of art, culture, media, society, but particularly on the idea of ​​the admirable, surrounding the ethics of an existential attitude from the work of an artist.

ENG:This catalog was published on the occasion of the exhibition MUNTADAS / BS. AS., Held at Espacio Fundación Telefónica between June and September 2007. It's a project developed for the city of Buenos Aires presented in three different institutions: Espacio Fundación Telefónica, Centro Cultural de España in Buenos Aires and Centro Recoleta.