Art China 7 September 2017
Artículo de Raymond Bellour traducido al chino.
Public Art Dialogue (PAD). Special Issue: Higher Ed.: College Campuses and Public Art
Silvia Bottinelli in conversation with Antoni Muntadas and Gediminas Urbonas. Se comenta ampliamente la presentación del seminario de despedida de Muntadas en el MIT, "Public Space? Lost and Found".
Mirada i gest. 50 artistes 1977-2007
Libro de fotografías de artistas de Jordi Belver, con textos de Daniel Giralt-Miracle. Aparece Muntadas.
ON GLOBAL ART PRACTICE Catalog
ON GLOBAL PRACTICE consists of documents of 10 lecturers held by Graduate School of Fine Arts, under two thematic frameworks in 2015; one is on social practice of contemporary art in global context, the other is on urban space structure and the socio-cultural dimensions of the urban spaces in Japan. [...]
Public Space? Lost and Found
“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings.Public Space? Lost and Found combines significant recent projects in art and architecture with writings by historians and theorists.
Video Writings by Artists (1970-1990)
This compilation seeks to made available critings by various artists on their own work and that of their colleagues and groups of practitioners they felt close to, as well as their reflections on a medium that they have assiduously and prevalently deployed [...]
Information
While information science draws distinctions between 'information', signals and data, artists from the 1960s onward have questioned the validity and value of such boundaries.
El arte y los artistas en las últimas décadas. Entre locos, gamberros y especuladores
Escrito ensayístico sobre estrategias artísticas decentradas, irónicas o especulativas.
El arte en la era de lo global. 1989-2015
El libro que el lector tiene en sus manos, El arte en la era de lo global, 1989, 2015, segunda parte de la cartografía iniciada en El arte último del siglo XX (2000), escanea el período que abarca entre 1989, año de la exposición Magiciens de la terre, y 2014, año en el que el Centre Georges Pompidou presentó una creación documental de la misma. [...]