Se presenta a la Coleccióm de la compañía INELCOM en Madrid.

Any art collection that seeks to be truly contemporary must remain open to an array of different readings rather than being guided by an accumulative or encyclopaedic intent. Based on this idea, in 2002 MACBA embarked on a re-reading of its collection that sought to revise the bourgeois, teleological and progressive nature of the art history that had influenced a large part of European art collecting.

Exposición colectiva. Info de la expo:

Reúne obras de veinticinco artistas que han seguido y comentado el proceso de formación de la Europa comunitaria, y que reflejan el actual sentimiento de incertidumbre respecto al proyecto europeo.

Exposición colectiva. Info de la expo:

Reúne obras de veinticinco artistas que han seguido y comentado el proceso de formación de la Europa comunitaria, y que reflejan el actual sentimiento de incertidumbre respecto al proyecto europeo.

Exposición individual

Antoni Muntadas mencionado en la portada como artista (no referencia a obras).

Obra de Antoni Muntadas citada en el inventario.

Whom does a contemporary art institute like Witte de With belong to? How are its stories told and untold? And could a staging of its exhibition history through traces, remains, and scars constitute an act of resistance against the tide of accumulation? This publication follows WERE IT AS IF by Bik Van der Pol as a case study and much more. Many-voiced, it enlists the power of fragments as points of provocation to engage with methodologies of the contemporary.

Published on the occasion of the exhibition of the same name, Top Hundred is a project by Maurizio Nannucci that presents a hundred works selected from artists’ multiples, publications, books and records, as well as videos, magazines, documents and ephemera belonging to a hundred leading artists on the international scene from the 1960s to the present, from the Zona Archives collection he started in 1967.

Obra de Antoni Muntadas, parte de la colección permanente del MACBA, citada en pp. 230-231.

Obra de Antoni Muntadas, parte de la colección permanente del Museu de Arte Contemporaneo de Porto, p. 124.