Antoni Muntadas mencionado en la portada como artista (no referencia a obras).

Obra de Antoni Muntadas citada en el inventario.

Whom does a contemporary art institute like Witte de With belong to? How are its stories told and untold? And could a staging of its exhibition history through traces, remains, and scars constitute an act of resistance against the tide of accumulation? This publication follows WERE IT AS IF by Bik Van der Pol as a case study and much more. Many-voiced, it enlists the power of fragments as points of provocation to engage with methodologies of the contemporary.

Published on the occasion of the exhibition of the same name, Top Hundred is a project by Maurizio Nannucci that presents a hundred works selected from artists’ multiples, publications, books and records, as well as videos, magazines, documents and ephemera belonging to a hundred leading artists on the international scene from the 1960s to the present, from the Zona Archives collection he started in 1967.

Obra de Antoni Muntadas, parte de la colección permanente del MACBA, citada en pp. 230-231.

Obra de Antoni Muntadas, parte de la colección permanente del Museu de Arte Contemporaneo de Porto, p. 124.

Depuis novembre 2017, la deuxième section de la La Galerie de la Méditerranée accueille l'exposition semi-permanente « Connectivités » : une histoire des grandes cités portuaires de la Méditerranée des XVIe et XVIIe siècles - Istanbul, Alger, Venise, Gênes, Séville et Lisbonne sont alors les points stratégiques de pouvoir et d’échanges dans une Méditerranée qui voit naître la modernité entre grands empires et globalisation.

La globalizzazione e l’internazionalizzazione dell’arte hanno eliminato i confini territoriali che in precedenza caratterizzavano le mappe culturali ed estetiche della produzione artistica. Le migrazioni concettuali tra ambiti disciplinari hanno permesso prestiti linguistici tra le teorie e le prassi artistiche, obbligando la storia dell’arte, l’iconologia critica, gli studi visuali e le scienze sociali a condividere nuovi interessi e metodologie.

Postal que anuncia el taller en la Sala Vinçon.

Nuevas prácticas artísticas; Arte corporal; Performance

Acción; Intervecnión; Espacio público; Imágenes públicas; Publicidad