Entrevista realizada por Diego Luna en el contexto de su tesis doctoral, que posteriormente sería publicada bajo el título "Muntadas. On Media Control" (2018).
"New Images from Spain" is meant to fulfill two of Guggenheim Museum's longstanding commitments: the first to younger artists whose work has not reached a wide audience; the second to artists from abroad and thus to internationalism. The exhibition is focused on the Spanish art that is considered surprising, eclectic, encompassing a broad range of styles, from realism to varied sorts of figuration, to geometric abstraction, to a kind of Color Field, to all manners of Conceptual Art. The common denominator is the ostensible lack of politicization.
"New Images from Spain" is meant to fulfill two of Guggenheim Museum's longstanding commitments: the first to younger artists whose work has not reached a wide audience; the second to artists from abroad and thus to internationalism. The exhibition is focused on the Spanish art that is considered surprising, eclectic, encompassing a broad range of styles, from realism to varied sorts of figuration, to geometric abstraction, to a kind of Color Field, to all manners of Conceptual Art. The common denominator is the ostensible lack of politicization.
Revista compuesta por cuadernillos de artistas españoles en Nueva York, entre ellos uno sobre Muntadas.
Texto redactado a partir de una entrevista, con numerosas citas literales de Muntadas.
Traducción del original en italiano: MONOS #4 "Riflessioni per una metodologia del progetto"
Reflexiones sobre la metodología del proyecto
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