ENG: ..Whereas much of Muntadas’s previous work has relied upon the advertising image or the media image as a means of delivering his comment, Exhibition eliminates any outward signs of image-manipulation. Instead we are confronted with the “context” of a reading. The various media, normally found within an avant-garde art gallery situation, are present (omnipresent?). They constitute the code of our looking. Each medium — each unit of the lighted display — is reduced to its own specific parameters. Again, there is an appeal to the Modernist aspect of self-criticality.

LAICA Los Angeles Institute of Contemporary Art, 1985. 3 hojas de papel prensa impresas por ambas caras en ambas direcciones, aprox. 54 x 86 cm (21-1/4 x 30 pulgadas). Las hojas anidadas se doblan en octavos para formar una publicación de tamaño carta de aproximadamente 48 páginas o un tabloide grande de 24. Las dos hojas centrales se abren para mostrar composiciones de tamaño póster, incluyendo una foto de Jenny Holzer en Times Square: "El abuso de poder no es ninguna sorpresa". "SOS" de las Hermanas de la Supervivencia.

ENG: This catalogue, published in 1982 as part of the exhibition "Media Landscape" at The Addison Gallery of American Art shows the artistic journey and audiovisual work of the artist Antoni Muntadas, with projects such as N / S / E / W (Venice Biennale, 1976), Between the Lines (1979), Two Landscapes (1979), La television (Madrid, 1980), Personal / Public (New York, 1980), Wet & Dry (New York, 1981)... among others. The exhibition, Media Landscape, is more importantly a description of his view of today's world.

NO PRESTAR

Pamplona - Grazalema is the result of a series of visual-media and antropological work done from 1975 to 1979. The social sciences and the visual arts are combined in an interdisciplinary attempt to study the evolution of the fiesta of the bull in Spain.

Pamplona-Grazalema es el resultado de una serie de trabajos visuales y antropológicos realizados desde el año 1975 al 1979. Es un esfuerzo interdisciplinar donde las ciencias y las artes visuales se han combinado para estudiar la evolución de la fiesta de toros en España. Esta publicación fue pensada para ir acompañada de una instalación de video para que ambos medios se complementaran entre sí.