In the last twenty years the "Biennale" has become a prominent exhibition model, disseminated all over the globalised art system. A laboratory for curatorial experimentation, the Biennale has come to affect and make visible international exhibition practices. Conversatiosn with Thomas Hirschhorn, alfredo Jaar, Antoni Muntadas and Stéphanie Moisdon focus on the questions brought about by each chapter, and open up to different ways of thinking about national representation, history-making and conceptualisation of biennials' exhibition formats in contemporary art.
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